This blog is an updated equivalent to a journal where records, pictures and comments on my assignments are to be shared with my peers, professor, and the world.
The link above directs to Wired.com where readers can learn more about the 1984 Blue Busters ad released by Apple.
Apple's original corporate philosophy was nonconformist and untraditional to the standard set at the time by IBM. This commercial had sent the message to viewers that the new Apple computer would rid away with the suit and tie IBM salesmen promoting their generic computers. What was especially great about this commercial was that it was sung by Ray Parker, Jr., the same guy who voiced the original ghostbusters theme song. At the time ghostbusters was such a hit that anything associated with the film was almost guaranteed to be successful. Watching both the Ghostbusters and this Blue Busters ad, there are plenty of similarities that viewers can pick up on, bringing authenticity to the commercial. Years later, this commercial is just as nostalgic as it was when it was first released. It is truly a blend of both art and technology.
Wayang Kulit, the Indonesian theatrical performance of shadow puppets, is deeply ingrained in the country's culture, history, and livelihood. It is so important that there are three specific regions where it has become infamous for this art form. Careers, theaters, and pass times have been created as a result of this cultural performance. Wayang Kulit can be used to describe the current social structure of Indonesia, give out sermons, and a medium of education as mentioned in the video. It can also be used as a medium for dispersing information to the people. It is seen as an ingenious cultural heritage of Indonesia and the world to many Indonesians, often synonymous with the identity of the country.
In the video a man who now works as a Dalang, a shadow puppeteer, was taught since the age of three to master Wayang Kulit. As a Dalang he is expected to orchestrate the puppet movements in synchronization with the music and dialogue, as well as play instruments at the same time. According to the video, a single performance can use up to 400 different Wayangs, each with their own characteristics and distinct features that contribute to the storyline.
Much like Wayang Kulit, American theater has shared its history with storytelling and performances. Puppet shows, marionettes, and films have been used to achieve many similar goals that the Indonesians seek with Wayang Kulit. Despite the low technological integration that the Indonesian theatrical performance has, it still requires a great amount of skill and has remained true to its origins. American theater unless specified as solely one type of show has evolved to a more contemporary style. This change has developed in order to satisfy the ever-changing interests of the American public. Adaptations from classic performances have now become common and most of the old styles are performed for a sense of nostalgia or urge for avant-garde trends.
Youtube Video of Edison Kinetoscope Films (1894-1896)
(Courtesy: Therese Grisham)
In the Edison Kinetoscope Films (1894-1896), a series of attractions can be seen. A couple, boxing match, strong man, serpentine dancer, cock fight, barber shop, doves, and seminary girls can all be seen in this cinematic clip. All of which can be appreciated for its simplicity and ability to set a precedence for all of the entertainment industry after. Prior to this post I was unaware that Thomas Edison created the Kinetoscope as he is primarily well recognized for the invention of the light bulb. Society should acknowledge the contributions he has made along with his colleagues towards the progression of modern technology on a daily basis. It is astounding that at the turn of the 20th century, so much was accomplished.
The Kinetoscope was made famous by Thomas Edison and his team for bringing a personal motion picture device using a confined space to display images on a perforated film over a light source in which an individual can view from a peep hole. This was a precursor to the earliest forms of video and projection. This film, despite its short length sets a standard for the industry as well as inspired future projects that would add to the history of cinematography and animation. My love for movies would not existed had this invention not been created. Overall, I thought the clips were well made, capturing the essence of life at the time of its filming in addition to drawing attention to a new medium that entertainers could reach their audience through.
The photo above is a grid project that was made with bottle caps. In total the number of bottle caps used to make this piece is 63. The bottle caps come from 14 different drinks. These bottle caps are just a few of the many I have collected with the intention of using for a future project. Each one is significant of a memory that has occurred over the past 3 years, both good and bad. Personally, I enjoy the idea of this project. Using unconventional items to create a grid pattern had sparked creativity amongst the class. It was impressive to see what other students had come up with, in particular, there were projects made from baked goods. Other designs featured candy, Post-it notes, and Solo cups. Of all of the various drinks represented above, my favorite was Cusqueña, a Peruvian beer with the bottle shown in the top right corner. The image shown on the bottle cap is of Machu Picchu, the Incan citadel set high in the Andes Mountains in Peru. Although it is rare to find at most establishments, it can still be found in America. To many who have had the pleasure of having this drink, it is a comfort that can be enjoyed in North America not only South America.
Walter Benjamin, author, philosopher and cultural critic shown above (Courtesy: http://image.slidesharecdn.com)
Walter Benjamin's essay, The work of Art in the Age of Mechanical Reproduction brings attention to technological innovation and its impact on art. He uses art forms such as photographic negatives, lithography, and copperplate etching to describe how imitation has become more prevalent over the years. Stemming from mass production, curiosity, greed and self-interest, replication have always existed.
Benjamin argues that in principle, all works of art are able to be replicated. With many objects, structures, paintings or drawings, this is perhaps true, however, there are exceptions to this principle. Many pictures are considered works of art, featuring a specific time or event that transpired. In the example of a volcanic eruption, an event that occurs very rarely, it would be difficult for someone to reproduce a picture that someone took on a specific day, time, angle, lighting, etc. Even if the imitator managed to meet all the same criteria, there is such a minute statistical chance that someone would be able to get an identical picture. In the sense that someone could digitally scan the picture or use a negative and "replicate" it, is a possibility but is still a challenge to physically recreate. There are many forms of art, some easier to imitate than others and some not. In my opinion, performance art is not replicable. It can be imitated but not 100% replicated. Stage performers can practice and rehearse their routine as frequently as possible yet will not be able to perform the same time with consistency. Each interaction with other performers, the physical condition of the performer at the time, mood, and attention to detail are all contributing factors that make replication almost impossible. Overall, my take on the matter leaves me to believe that Walter Benjamin is wrong in stating all works of are replicable. There are certain forms of art that are unique in that they are not replicable by the nature of their appearance, circumstances, or properties. Benjamin, Walter. "The Work of Art in the Age of Mechanical Reproduction." Modern Art and Modernism. Auckland, N.Z.: PhotoForum, 2007. 218-20. Print.
Above is a depiction of what a Minstrel show performer would generally look like
(Courtesy: sideshowworld.com)
Today in class we watched Blacks on Vaudeville, a documentary on Vaudeville displaying its history and its correlation with minstrel shows. Minstrel shows, the poorly reenacted representation of how Black Americans, slaves, or "Negroes" entertained themselves during this time period. Beginning in 1843 and lasting till the mid-20th century, minstrel shows featuring musical and dance performances for crowds all over America (Minstrel Show, 2016).
Personally, I do not care for Vaudeville or minstrel shows either. As part of history I recognize minstrel shows as a point in Vaudeville's evolution, however, I cannot sit through a viewing without utter dismay. The shows reflect a point in time in which discrimination was very commended, with the specific goal of dehumanizing the Black American people.
The documentary highlighted the shows and its rising popularity in the 1840's. Before watching this segment, I had no idea that there were actually Black American minstrel performers. I always had the impression that it was a Caucasian person with black face, generating stereotypical propaganda to an all Caucasian crowd. To my surprise, I was wrong. Apparently the minstrel shows, featured some willing Black American participants, attendees and supporters. Understandably, for Black Americans at the time the wage was probably better than most paid positions, treatment was bearable, as well as the chance to perform on stage was rare. Some of these performers even used their talent, skills, and resistance to stereotyping to gain popularity amongst their community. As mentioned in the documentary, the Nicholas brothers are revered for doing just that.
The first minstrel performer to receive national recognition and have their performance considered that of a human was Bert Williams. In the documentary a frame shot is paused, displaying a quote by George Washington Carver, best known for developing a variety of uses for crops such as peanuts, then leading numerous speaking engagements as a symbol of African-American achievement (McMurry, 1991). The quote reads, "Bert Williams has done more for the race than I have. He's smiled his way into people's hearts" (Crazybluezzdaddy, 2012). As of 1910 he was the most respected comedians on the American stage and was the first Black American to be admired by people of all races. Overall, there is a collection of good stories of Black American performers leaving their impact on Vaudeville's history, however, those that were not featured are to be even more considered. With its racist and stereotypical motif, it is no wonder why minstrel shows began to disappear just as the civil rights movement started.
Below is a portion of the documentary by PBS, originally aired on November 26, 1997.
"minstrel show". Encyclopedia Britannica.Encyclopedia Britanncia Online. Encyclopedia Britannica Inc., 2016. Web. 24 Feb. 2016
McMurry, Linda O. "George Washington Carver." History.com. A&E Television Networks, 1991. Web. 24 Feb. 2016.
Crazybluezzdaddy. "Blacks and Vaudeville: PBS Documentary." YouTube. YouTube, 29 May 2012. Web. 24 Feb. 2016.
Above, the cast of The Pirates of Penzance, 1983. Directed by Wilford Leach
(Courtesy: blogspot.com)
As assigned I created a video game based on an opera created before the year 1920. For the video I decided to choose the opera The Pirates of Penzance. The story follows a pirate apprentice, who wishes to rid himself of the pirate life now that he has reached the age of 21, the end of his contractual service. After it is revealed that he was born on a leap year and technically has 5 birthdays, the loyal pirate must find a way to please his crew but also win the love of his life, Mabel.
In short, my game would fall under the open world category and follow protagonist Fredric, as he ventures through Penzance Bay seeking to gain freedom from the life of a pirate. Throughout the campaign gameplay, characters from the opera are featured, side missions are available, and interactions which lead to greater character development are present.
The following images are a few screenshots of my paper. Overall, the film adaptation was difficult to watch, but the project was thought provoking as it allowed for unlimited creativity.
Art & Technology clash, an ongoing topic for discussion
(Courtesy: The University of Iowa)
Hey! I am Matthew Chang. I am an International Business and Management major taking this course as it seemed most concurrent with the advancement of art as opposed to the many others. Art is not one of my strong suits, however, I do favor music and drawing when I have free time. Hopefully there will be time to cover these areas throughout the semester.
My first thoughts before beginning class was that it would follow the same constructs as any other art class I have previously taken. In high school and prior to that, the course would cover topics that were determined by a board of educators that deemed particular content important. More often than not, there would not be room for additional material chosen by students in the lesson plan.
Upon arriving to class and listening to Professor Thompson, I knew this would not be the case. She made it fundamentally clear that what we learn in class would be relevant to our daily lives and the influences it draws upon. I am particularly excited to see how art has evolved from its most basic form to its most modern representation.
After concluding our first meeting, I left with a great sense of relief knowing that the class is instructed by a professor with an unconventional way of teaching. This creative approach will surely breach the gap that many other professors have a difficult time overcoming with their students.
The story of Dr. Cuero is a fine addition to the classic tales of struggling at an early age, striving for greatness and eventually achieving it. With 9 scientific inventions claimed in his name, it is no wonder why he is considered a revered microbiologist. His invention of a product that helps clean up oil after spills and discovery of a process, stimulating anti-oxidant production in plants are extremely helpful to many businesses as well as applicable towards an environmental effort. I agree with Dr. Cuero, in that to be creative you need to exceed preconceived notions of you by innovating and changing expectations. Many born into luxury are at a disadvantage as they are not challenged to find solutions to life's most basic obstacles, leaving them with only the most challenging which are left incomplete or unsolved. Learning inductively, new knowledge, is imperative for growth in addition to advancement of our society. His interview with Patricia Ross made it clear that many obstacles can be overcome as long as the individual sets realistic goals without the fear of failing and interacts with their surroundings creating new ways of thinking.
So far it seems to be a good start to the spring semester, I am looking forward to the next class.
