Battery

Various Battery Types (Courtesy: durham.ca)

About.com Article: History Of The Battery 

The link above directs you to About.com where readers can learn about the history of the battery

By reading this article, it becomes clear that the battery was far from a modern day invention. In fact its concept dates back to the 18th century, when Benjamin Franklin coined the term battery. According to the article, he described it as "an array of charged glass plates" . The concept of containing electricity in a confined space for future use may seem like a mediocre explanation of an electrical cell, however, at the birth of this concept was a groundbreaking technology. By the mid 19th century improvements had been made and further revolutionized in 1859 when Gaston Plante, a French inventor made the first rechargeable battery. It was only in 1901 when Alkaline batteries were invented and 1954 when solar cells reached the market. All of which are taken for granted now that almost every small appliance or device requires some form of battery.

With a majority of the world carrying around their own personal rechargeable battery cell in their pockets on the daily basis, it is difficult to forget about its humble beginning. Yet somehow society still manages to overlook this detail integrated into their cell-phone(s). Perhaps it is all the distractions and applications that can be installed on today's smartphones. Consideration towards the battery only occurs when the owner has expended their battery life low enough to where they receive notification. It is during this event that the owner experiences a sense of panic and then urgency to recharge the cell takes precedence in order to remain connected to the digital world. The point of all this being that despite being disposable as well as negligible in many modern day instances, the battery has had a long journey since its introduction to the world, one that if suddenly nonexistent would change the lives of many.

Edison Kinetoscope Films

Youtube Video of Edison Kinetoscope Films (1894-1896)

(Courtesy: Therese Grisham)

In the Edison Kinetoscope Films (1894-1896), a series of attractions can be seen. A couple, boxing match, strong man, serpentine dancer, cock fight, barber shop, doves, and seminary girls can all be seen in this cinematic clip. All of which can be appreciated for its simplicity and ability to set a precedence for all of the entertainment industry after. Prior to this post I was unaware that Thomas Edison created the Kinetoscope as he is primarily well recognized for the invention of the light bulb. Society should acknowledge the contributions he has made along with his colleagues towards the progression of modern technology on a daily basis. It is astounding that at the turn of the 20th century, so much was accomplished.

The Kinetoscope was made famous by Thomas Edison and his team for bringing a personal motion picture device using a confined space to display images on a perforated film over a light source in which an individual can view from a peep hole. This was a precursor to the earliest forms of video and projection. This film, despite its short length sets a standard for the industry as well as inspired future projects that would add to the history of cinematography and animation. My love for movies would not existed had this invention not been created. Overall, I thought the clips were well made, capturing the essence of life at the time of its filming in addition to drawing attention to a new medium that entertainers could reach their audience through. 

Steamboat Willie

Youtube Clip of Steamboat Willie (1928)

 (Courtesy: Walt Disney Animation Studios)

Steamboat Willie, the first fully synchronized sound cartoon by Walt Disney, is a classic animation that spans many generations. Being known for its iconic characters Mickey and Minnie Mouse, this cartoon had everything I personally like in a film. The storyline was well developed, attention to detail was present, the character appeal in the protagonist, and humor. 

In the video posted above, a short clip of Steamboat Willie can be seen. The video opens with the Steamboat, which is given movements to certain non-mechanical components as if it were alive. The smoke stacks, steamboat whistle and crane hook are given lifelike characteristics. Right away it is established that conventionally inanimate objects can possess conscious actions. This is seen in many other cartoons as well, yet is worth noting since the supporting animations contribute to the overall persona of Mickey Mouse, one of the most recognized characters in all of the world. He is so iconic that he is the first cartoon character to ever star on the Hollywood Walk of Fame. As the clip continues, the innocence of Mickey Mouse can immediately be seen as the over joyous steamboat worker is going about his day at work. This can be seen throughout Mickey's career and lends reason to why is he so beloved.

With only 7 minutes and 22 seconds in this clip, this animation features so many movements and details that help build the storyline. After having completed my own 200 page hand drawn flip book animation, I can only imagine how long it took to finish such a storyboard. Walt Disney and his animators were extremely creative with this tale of Steamboat Willie, which years after being considered an adult still find this cartoon appealing to my inner kid. It brings about happiness, childhood memories, and an adolescent innocence that not many cartoons have. Having created an animation for this class myself, can say almost anyone even the untalented can create an animation, but creating one that captures the viewer's attention such as this is difficult. 

3D Printing Project

Spiny Shell (Courtesy: vignette2.wikia.nocookie.net)

Front View of Spiny Shell (Courtesy: Matthew Chang)

Side Profile of Spiny Shell (Courtesy: Matthew Chang)

Of all the projects assigned throughout the semester, the 3D printing project was the most rewarding. With the guideline specified as a cute weapon, my inspiration came from the spiny shell from the Mario video game series. The spiny shell is represented in the first photo while, the second and third are the 3D printed version. It is not the most detailed replica, but considering it was my first time using a 3D printer, it came out well. I was particularly satisfied with the final project, and surprised at how sharp the spikes turned out to be. The program I used to create the model was Tinkercad. It was very user friendly, with many features, community made objects, as well as detailed tutorials. 

Overall, it took 20 hours to design and finish this project then was sent to the staff at The Hive in downtown Tampa for printing. 3D printing has become much more popular in the last few years as the cost of acquiring a printer has become more affordable. With popularity comes more creative projects like this, new ideas, as well as solutions to specific problems. Having the knowledge to use 3D printing interface and the ability to print items will surely be vital in the near future. If given another opportunity or have free time to create more 3D objects I would gladly take that opportunity.

Grid Art

Bottle Cap Grid Art (Courtesy: Matthew Chang)

The photo above is a grid project that was made with bottle caps. In total the number of bottle caps used to make this piece is 63. The bottle caps come from 14 different drinks. These bottle caps are just a few of the many I have collected with the intention of using for a future project. Each one is significant of a memory that has occurred over the past 3 years, both good and bad.

Personally, I enjoy the idea of this project. Using unconventional items to create a grid pattern had sparked creativity amongst the class. It was impressive to see what other students had come up with, in particular, there were projects made from baked goods. Other designs featured candy, Post-it notes, and Solo cups. 

Of all of the various drinks represented above, my favorite was Cusqueña, a Peruvian beer with the bottle shown in the top right corner. The image shown on the bottle cap is of Machu Picchu, the Incan citadel set high in the Andes Mountains in Peru. Although it is rare to find at most establishments, it can still be found in America. To many who have had the pleasure of having this drink, it is a comfort that can be enjoyed in North America not only South America.

Art In The News- March 2016

Video Of Dmitry Morozov's Vtol Project
(Courtesy: vtol.cc)

For my art in the news presentation I chose Dmitry Morozov's Vtol project. Morozov is a Russian media-artist, musician and engineer of strange-sounding mechanisms. His Silk installation, in particular, was the focus of my presentation as it was related to music, technology, and art. This piece is unique in that it autonomously makes music using realtime fluctuations in litecoins and bitcoins connected to an Arduino platform, sound systems, servo motors, guitar rails and a tuning mechanism. The sounds vary depending on the unfalsifiability, immateriality, decentralization and transparency of values.

"This piece explores how new technologies and progress in such areas of knowledge as cryptography, mathematics, computer science influence the financial system, inevitably changing the social structure of the society", says Morozov. 

The Silk installation was inspired by the decentralization of existing currencies and the formation of a new unit of exchange independent from political and geographical limitations. Currently the piece is in Moscow and with each passing day change from the previous as does the data it is responding to. Personally, I have not seen anything like this before and was interested in sharing it because of how many discussions I have had involving bitcoin over the past 4 years. It would be interesting to see how the piece would react if the data were to reach the furthest extremes, worth nothing and highly valued.

Below are pictures of the installation courtesy of Morozov's website:

Walter Benjamin's The Work of Art in the Age of Mechanical Reproduction

Walter Benjamin, author, philosopher and cultural critic shown above
(Courtesy: http://image.slidesharecdn.com)

Walter Benjamin's essay, The work of Art in the Age of Mechanical Reproduction brings attention to technological innovation and its impact on art. He uses art forms such as photographic negatives, lithography, and copperplate etching to describe how imitation has become more prevalent over the years. Stemming from mass production, curiosity, greed and self-interest, replication have always existed.

Benjamin argues that in principle, all works of art are able to be replicated. With many objects, structures, paintings or drawings, this is perhaps true, however, there are exceptions to this principle. Many pictures are considered works of art, featuring a specific time or event that transpired. In the example of a volcanic eruption, an event that occurs very rarely, it would be difficult for someone to reproduce a picture that someone took on a specific day, time, angle, lighting, etc.  Even if the imitator managed to meet all the same criteria, there is such a minute statistical chance that someone would be able to get an identical picture. In the sense that someone could digitally scan the picture or use a negative and "replicate" it, is a possibility but is still a challenge to physically recreate.

There are many forms of art, some easier to imitate than others and some not. In my opinion, performance art is not replicable. It can be imitated but not 100% replicated. Stage performers can practice and rehearse their routine as frequently as possible yet will not be able to perform the same time with consistency. Each interaction with other performers, the physical condition of the performer at the time, mood, and attention to detail are all contributing factors that make replication almost impossible. Overall, my take on the matter leaves me to believe that Walter Benjamin is wrong in stating all works of are replicable. There are certain forms of art that are unique in that they are not replicable by the nature of their appearance, circumstances, or properties.

Benjamin, Walter. "The Work of Art in the Age of Mechanical Reproduction." Modern Art and Modernism. Auckland, N.Z.: PhotoForum, 2007. 218-20. Print.