How To Succeed in Business Without Really Trying

Youtube Clip from "How to Succeed in Business Without Really Trying" by Rob Ashford

(Courtesy: CountessKarma)

This blog post is a response to the post made by Ángel at http://angel-stagedoor.blogspot.com.

The cast of "How to Succeed in Business Without Really Trying" performs 'Brotherhood of Men' at the 85th Annual Macy's Thanksgiving Day Parade. After watching this clip, I was rather shocked to see Daniel Radcliffe take the lead role for a musical. I am not particularly a fan of Daniel Radcliffe, but this performance was well done and was a great showcase for the Frank Loesser adaptation. Despite being known for his role as Harry Potter in the Harry Potter movie series, he does a good job taking on the role of J Pierrepont Finch. He definitely has talent after working his way into the hearts of audiences with eight movies, and does a fair job with this performance. As adored as he is with fans, his singing needs improvement. As this is his first major musical, I am sure he will fine tune his voice for future performances. Aside from the criticism I believe this is a great opportunity for Radcliffe to put his hidden talents on display.

Having only seen a few Broadway musicals in my lifetime, I am not as qualified as others to fully critique the clip. The last show I saw was Larry David's "A Fish In The Dark" this past summer. What made it enjoyable was the cast, the underlying humor, and well developed plot. It was a show that I have recommended to others before and will continue to do so as I enjoyed it. So long as Ashford's new adaptation of the 1961 musical can meet similar standard, I am sure it can do well. Overall, I wish Radcliffe, Ashford and the rest of the "How to Succeed in Business Without Really Trying" crew the best and hope they can exceed critics expectations.

Source: http://angel-stagedoor.blogspot.com/2016/01/another-opening-another-show-una.html

The Evolution Of Stage Entertainment

Youtube Video Of Various Vaudeville Performances 

(Courtesy: Galloping Alligator's Muck Pond)

After watching the video shown above, it is fascinating to see how Broadway has evolved from vaudeville, burlesque, and cabaret.

I was particularly impressed with the woman who could pick up a chair with her teeth and swing it around effortlessly. This is impressive by today's standards, as many people would usually break their teeth or be sent to the dentist expecting a hefty bill. It certainly holds weight against some acts seen on the television show America's Got Talent. This burlesque dancer could have made quite a living if she were born in the 21st century. 

Surprisingly, I enjoyed the footage and the various acts despite being from 1898 to 1910. The acrobat in particular is worth noting. She was able to fully exercise her talent and skill without any limitations or safety nets, making her performance exquisite and enthralling. Nowadays almost every professional performance artist has a manager who advises against many of the death-defying acts for the purposes of safety. In many cases, some acts do not get clearance and force the performer to limit their routine. This puts a damper on many performers who do not get a chance to fully express themselves. This as opposed to freelance exhibitionists, who seem to hold a reputation for doing whatever they feel inspired by and can pull off to draw a crowd, make headlines, or leave a lasting message.

Broadway is now reserved for large feature productions yet has deeply ingrained roots within vaudeville, burlesque, and cabaret. It is difficult to recognize a Broadway show for its brilliance without paying homage to the three performance styles that it has stemmed from. Today's Broadway shows are so elaborate and feature performance art, digital imaging, and an ensemble. Talent is just as good as it was as the art form developed over the years.